If you've followed our last lesson, you
now know that there are three major chords that are going
to be the focus of our studies. In this lesson, as far as
the study of melody goes, we're going to deviate from anything
else that's been taught out there up till now. This is where
I present to you your first melodic words
Through the magic of math, we are going
to transform our original chords into all the possible melodic
words we can extract out of them. Math tells us that when
you have 3 things, there are only 6 ways you can re-arrange
them. That's it. No matter what you do you can't rearrange
things more than 6 ways if you have three things.
Each of our chords has three notes, and
we can rearrange these 3 notes into our first 6 melodic
words for each chord. We're going to call each re-arrangements
of notes a variation, calling the original chord Variation
1.
You see below links with the C, F and G
chord and their respective variations. Click on the links
of the variations so you can start hearing your first melodic
words. As you play these I'm sure that some of you will
recognize some as beginning of some melodies. To to stop
the animation that plays the melodic word, close the box
that opens up .
As you listen to these Variations, for now
I'm just showing you the succession of notes. By applying
a different melodic rhythm to each of those three notes,
you personalize the melodic word. Listen to the example
below to hear the same word with three different rhythms
to hear how different it sounds.
When you write your songs, the melodic rhythm
comes from the words of your songs. The melodic rhythm of
the words and the setting is what makes the melodic words
yours. Click
here for a thorough explanation of melodic rhythm. Melodic
rhythm is a very strong component of melody writing, so
you'll always find a link on top of every page if you need
to refresh your understanding.
Putting it all Together:
Throughout this course, you'll see examples
that I'll put up to illustrate whatever principles we're
working on at any given time. This is the putting it all
together part. Now, because were still using primary triads,
our melodies aren't going to sound great, but they will
illustrate the principles. Until we get into scale segments,
we won't have all the tools yet to write really sophisticated
melodies. But we'll still write some interesting ones anyway.
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