10. Sixth Chords

Sixth Chords

When you add the note after the fifth of any chord, major or minor, you get what is known as a 6th chord. Sixth chords are usually written C6 or F6 or whatever, but with a sixth afterwards. Sixth chords are very common in pop music, cause they outline some very important notes of the pentatonic scale that correspond to the chord in question. A pentatonic scale is basically 1-2-3-5-6, (click here to listen) where a sixth chord is 1-3-5-6, (click here to listen) a triad followed by a sixth. As we noted in previous lessons, the strongest notes in any melody are going to be your chord notes (click here to listen), so this is all the notes in the triad chord and an additional 6th note. The sixth is also a color note which can be used to embellish the fifth of the chord (click here to listen).

However, in addition to outlining the chord and the pentatonic, sixth chords are also minor seventh chords in disguise. If we take the 6th and place it below the root of the chord, we get a minor seventh chord. Click here to listen. A C6 chord generates a A minor seventh chord (click here to listen). A F6 chord generates a D minor seventh chord. A G6 generates an E minor seventh chord. Minor seventh chords and seventh chords in general are a very strong part of pop music and blues. So, we’re getting a glimpse here of minor seventh chords, which will be dealt with fully in part 2 of this course.

A sixth chord generates 24 variations. Our variations are broken up into 4 groups of 6 variations. The fourth group generates the minor seventh variations. I think as you listen to the variations you’ll hear of melodic words used in a lot of songs. For the present, since this is a prototype page, I am only presenting the 6th chords for the C chord.

Variations on 1st Note Variations on 2nd Note Variations on 3rd Note Variations on 4th Note
Var. 1 Var. 1 Var. 1 Var. 1
Var. 2 Var. 2 Var. 2 Var.2
Var. 3 Var. 3 Var. 3 Var. 3
Va. 4 Var. 4 Var. 4 Var. 4
Var. 5 Var. 5 Var. 5 Var. 5
Var. 6 Var. 6 Var. 6 Var. 6

In addition to the above variations, you can fill in the gaps in any sixth variation, with a scale segment. By filling in the interval between C and E, you create a melody which outlines the pentatonic scale.

Putting it all together

For this next example, we're going to use the following melodic words:

Variation 1 on the 3rd note _____ Scale segment on E to C _____ Minor third in F (A to C) ____ Color Note D to A in F

9th of G7 chord

The D to A straddle the borderline between the G and the F chord. We'll speak about 9th chords in a later part of this course.

Click here for Musical Example.

 

 



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